Galleri Riis

The Spoon and the Silica, 2022, High-fired ceramic sculpture with steel, stoneware clay, ceramic glaze, silica stones and celadon-glazed porcelain tiles, 44 x 102 x 404 cm, Unique
The Spoon and the Silica, 2022, High-fired ceramic sculpture with steel, stoneware clay, ceramic glaze, silica stones and celadon-glazed porcelain tiles, 44 x 102 x 404 cm, Unique
The Spoon and the Silica, 2022, High-fired ceramic sculpture with steel, stoneware clay, ceramic glaze, silica stones and celadon-glazed porcelain tiles, 44 x 102 x 404 cm, Unique
Aesthetics of the Crack, 2022, High-fired ceramic sculpture with steel, stoneware clay and ceramic glaze, 42 x 60 x 54 cm, Unique
Banner 2, Steel-reinforced ceramics, 21 x 104 x 38 cm
Flak 3, Steel-reinforced ceramics, 61 x 43 x 18 cm
Plate 3, Steel-reinforced ceramics, 6 x 30 cm
Bånd 1, Steel-reinforced ceramics, 50 x 45 x 24 cm
Tubus Titan 4-5 (from a series of 11 sculptures in steel-reinforced ceramics) with titanium dioxide and sinter engobe. 102 x 128 x 48 cm / 31 x 78 x 114 cm, in two parts placed on the floor.
Tubus Titan, a series of 11 sculptures in steel-reinforced ceramics, with titanium dioxide and sinter engobe. Dimensions variable.
From the series White to Earth, dimensions and materials variable.
From the series White to Earth, dimensions and materials variable.
Marte Johnslien, 'A Square on a Sphere', Lillehammer Art Museum, 2018
Marte Johnslien, 'A Square on a Sphere', Lillehammer Art Museum, 2018
Marte Johnslien, 'A Square on a Sphere', Lillehammer Art Museum, 2018
Marte Johnslien, 'A Square on a Sphere', Lillehammer Art Museum, 2018
Untitled (Fresco Object II), 2017, Fresco on ceramic, 17,5 x 37 x 48 cm
Untitled (Fresco Object I), 2017, Fresco on ceramic, 64 x 40 x 3 cm
Untitled (Fresco Object IV), 2017, Fresco on ceramic, 18,5 x 49 x 53,5 cm
From the series Forloren form, 2017, Ceramic, plaster and iron fillings, 30 x 28 x 27,5 cm
Pigment work V, 2017, Watercolor on paper, 40,5 x 29,5 cm
Pigment work VIII, 2016, Watercolor on paper, 40,5 x 29,5 cm
The Paris Abstractions, 2015. Installation consisting of 14 pigment sculptures, dimension variable and 4 watercolours, each 28 x 32 cm. Installation view NN-A NN-A NN-A: New Norwegian Abstraction, Stavanger Art Museum, 2016
The Paris Abstractions, 2015. Installation consisting of 14 pigment sculptures, dimension variable and 4 watercolours, each 28 x 32 cm. Installation view NN-A NN-A NN-A: New Norwegian Abstraction, Stavanger Art Museum, 2016
A River in the Ocean, 2015, plaster, aluminum, medicinal plant (Verbena). A site-specific project for the 12th Havana Biennial, 2015
A River in the Ocean, 2015, plaster, aluminum, medicinal plant (Mano Poderosa, Okuje). A site-specific project for the 12th Havana Biennial, 2015
Forms of Resistance, 2016, paint on polyester, vlieseline, black cotton, suitcase corners, variable sizes. Installation view Marte Johnslien, Forms of Resistance, Elephant Kunsthall, Lillehammer, 2015
Installation view Marte Johnslien, Forms of Protest, Henie Onstad Kunstsenter, 2014-2015
Prayers (1-4), 2014, photographs printed and mounted on textile, each 77 x 118 cm, ed. 4. Installation view Marte Johnslien, Forms of Protest, Henie Onstad Kunstsenter, 2014-2015
Installation view, Marte Johnslien, Relevo, Galleri Riis, 2014
The Human no 4, 2013, chalk-based and pigmented marble paste on mdf, 244 x 183 x 1,2 cm
The Human no 4, 2013, detail
Self-Portrait as a Painting, photograph, 50 x 60 cm
Bedouin, 2012, acrylic (titanium white) and textile on canvas, travel easel, dimension variable. Installation view Marte Johnslien, The Whitest White, Kunstnerforbundet, Oslo, 2012
The Whitest White, 2012, C-print, 50 x 70 cm (each). Installation view Marte Johnslien, The Whitest White, Kunstnerforbundet, Oslo, 2012
From the series The Whitest White, 2012, C-print, 50 x 70 cm
Blindfold, 2011, steel and two-way mirror, 2 x 15,5 m. Collection Gulating Lagmannsrett, Bergen, Norway
Forente Nyanser, 2011, installation consisting of 14 sculptures (made of chicken wire, felt, acrylic plaster, pigment, iron powder and epoxy), carpet, rope and two framed bookpages from a book on Goetheʼs colour theory. Variable sizes. Collection The National Museum of Art, Architecture and Design, Norway
Forente Nyanser, 2011, detail
M.310, 2008, MDF boards, paint and plastic tubes, 6,5 m x 2,8 m x 3,6 m. Installation view, Marte Johnslien, 18 % Gray, 0047 Oslo, 2008
M.310, 2008, detail
18% Gray, 2008, MDF boards, paint, steel rods, 2 m x 1,5 m
Plein Soleil, 2008, MDF boards, paint,1,2 m x 0,4 m x 0,3 m